Who we are

AVeil

The brief as written: photo full bleed, one flat black layer, type over the lower half, plus her quote in the black column on the left (placeholder in brackets until Kate writes hers; her name below doubles as the attribution). Simple, repeatable. "quote y" and "quote w" place the quote.

BCover

Magazine cover. Mark top right in the empty black, Spectral name low, gradient only under the type. Face untouched, biggest portrait of the four. Serif pulls toward fobou.com rather than the film; the gradient has to eat into her hair.

CLedger pick

No veil at all. Photo drops to leave a black band for the name; her career runs as a numbered list in the space her gaze and shoulder point at, ending on Fobou. Space Mono on black, the film's register. The houses are the hook and become the graphic; scales to Vincent and Melanie as a series. Risk: name-dropping if the list grows past five.

DHer words

Photo pushed left so she leans into her own sentence. A line from Kate in the black to her right, name as attribution. Most human, best for saves and shares. The quote is a placeholder and has to be hers, so this one waits on Kate. Career moves to the caption.

ECircle off the corner shape pick

A big circle cut by the top and right edges, her face well inside it, type in the cream left over. No veil, nothing over the face. Cream against the black circle is the strongest graphic on the page and pairs with the cream slides of the how-it-works post. Least room for words: houses move to the caption.

HCream fade

Cream veil as a gradient: the photo dissolves into cream from the bottom, ink type on the cream. The cream veil done the way it can work; a flat cream layer only turns her blacks grey. The black-to-cream transition passes through a warm grey; push "fade" to tighten it. Try it with photo tone "cream print" too.

W1Colour

W2Colour, with board

W3B&W

W4B&W, with board